I have a small request: To get the most
out of this tale, you need to listen to at least thirty seconds of the Colonel Bogey March, preferably the whistling version from the movie, Bridge Over the River Kwai. It’s necessary to do so because when it comes
to language, music and attitudes, what’s in common usage for one generation is often
abandoned by the next. And I can tell you, most of my generation are gradually dropping
off the perch! So off you go to YouTube, or wherever and I’ll be here when you
get back. Think of it as a sort of interactive story!
Enjoy that? Ok, the Colonel Bogey March was composed by Lieutenant F.J.Ricketts in 1914
and was popular with the British and Commonwealth troops, so much so that well before
Alec Guinness became Obi-Wan Kenobi, he was Col. Nicholson in Bridge Over the River Kwai. They whistled the tune, because back in 1957,
it wasn’t the done thing to sing about sensitive parts of the male anatomy. But
by the early sixties as a bunch of not so coy, budding forest rangers, we sang
the words the World War Two troops had attached to the march without any
bashfulness whatever. The song was among our extensive repertoire we sang
during our long bus trips. Some were patriotic, some downright crude, some
popular at the time, most bawdy and some we had heard our fathers sing.
To the tune of: Colonel Bogey.
Hitler, he only had one ball.
Goering has two but they are small,
Himmler has something Similar,
But poor old Goebbels has no balls at all!
Now if we can roll along just a few more years,
to when my young wife joined the local Country Girls Club, which was the female
version of Young Farmers Club. Later the clubs amalgamated, which was a
sensible thing to do because even when separate, they combined most of their
activities. And of course, as with any club, volunteer organisation or sporting
body, there is a voracious need to source funds and one of the ways was to put
a cabaret.
We started holding cabarets in our local,
newly built hall. We worked hard for it, raising funds for the building materials
by hay carting and most of us spent a week or three on its construction. The
alcohol laws had only just been relaxed. See, the law of the land is there to nurture
the population, except the alcohol laws which were there to protect the booze companies
and their pubs! So previously at a social events there was no booze allowed in
the hall! Instead, it was secreted in cars outside. The local constabulary was
part of the community so he wore his blinkers, but care still had to be taken in
case the sergeant turned up from town!
Under the relaxed law, even for
fundraising, we weren’t allowed to sell booze, but it was now allowed in the
hall on the condition we included the cost of the booze in the price of the
cabaret ticket! Here we were trying to raise a few bob for the club, but how on
Earth can you calculate how much was going to be consumed over the night?
Shrewdies from town could get a whiff of cheap booze and descend on us like a flock
of bloody vultures! So much for relaxing the law and being people friendly!
Brave club members were therefore posted
at the door, pitch forks at the ready - not really, but you get the picture.
Despite these constraints handed down by the buffoons in Wellington, the school
committee, the hall committee and the Country Girls/Young Farmers ran
successful events attracting people form near and far – by far, I mean fifty
kilometres! There evolved a bit of a competition among the organising
committees to produce the best show, because after all a cabaret is more than a
few tables with booze perched on them and a band playing dance music that few
of us could stomp around the floor to!
I wasn’t exactly filled with glee when
Mags came home from a committee meeting and told me that she had volunteered my
services to be a stripper! I’m no Schwarzenegger!
When it came to abs, I was more of a four-pack! And oh no, I couldn’t
back out of it, Charlie, Ross, Lloyd and Jimmy were all going to be in it too!
It was all planned and all we had to do was turn up on the night! There would
be plenty of oil and greasepaint ready and we weren’t even allowed to confer
beforehand!
Mags busied herself with preparations for
the night, I was busy so took no notice other than giving her the evil-eye
whenever I remembered what she’d got me into! On the night, we weren’t allowed
any priming ‘because our timing might be out’ so we all turned up backstage
sober as Judge bloody Judy!
After we stripped off our shirts, the
ladies started painting us! A big eye over each boob, a big nose painted down
our sternums and puckered lips around our navels! Around our waists went paper
lookalike bow ties and they put huge top-hats over our heads, the brims resting
on our shoulders. We had to put out hands on our hips so our arms looked like
big ears on a big head! They shoved us towards the stage with instructions to
push our belly-lips out and in as if we were whistling in time to a tape
playing… you’ve guessed it, The Bridge
Over the River Kwai aka Colonel Bogey!
The peepholes in the hat were hardly
conducive to seeing, but we kept roughly in line like a bunch of can-can girls!
Pushing our stomachs out and in, like a goofy Ronnie Ronalde! And during the third encore, Lloyd lost his hat!
Hilarity reigned!

